Music And Arts Buy Used Instruments
CLICK HERE >>> https://shoxet.com/2tlwMD
if(typeof ez_ad_units != 'undefined'){ez_ad_units.push([[468,60],'infamousmusician_com-netboard-1','ezslot_25',624,'0','0'])};__ez_fad_position('div-gpt-ad-infamousmusician_com-netboard-1-0');LetGo is now part of OfferUp, with the latter replacing the app version of Letgo. Much like Craigslist, the site (and mobile app) is primarily used for local sales. When selling locally, there are no fees to sell through OfferUp. However, there are fees if you sell the item where shipping is required. In this case, there is a 12.9% fee on the total sale value, not including shipping. The buyer pays shipping.
Their whole model, when it comes to buying used gear, is to buy extremely low in order to sell it back in their stores for a decent profit. The same goes for any other used music store (or pawn shop), they need to be able to ensure they can make a profit.
In conclusion, I would highly recommend selling your gear on Craiglist and/or Reverb if you want to get the most money for your musical instruments and other music equipment. Only resort to eBay or shops like Guitar Center if you need the cash ASAP.
Buyer got his synth, already repaired and he was.loving it, and I made him a.$275 profit and myself a $345 profit plus the sale partially funded my newest synth workstation upgrade to a gently used Korg Kronos II 88 I had already purchased and was totally in love with (they are absolute BEASTS of musical ability!) all thanks to chosing the right resource: Escrow.com and their knowledgeable and helpful advisors!
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages, and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments made from hide, clay, metal, stone, gourd, wood, silk, and bamboo.
BellsFrom the earliest historical periods, particularly in ritual music from the Bronze Age onward, bells have been an essential component of instrumental ensembles in China. The earliest known bronze bells, from the Shang dynasty, are the type called nao (49.136.10), in which the mouth of the bell faces up, and seem to have been played singly or in sets of three or five. After the tenth century, during the Zhou dynasty, sets of bells of the zhong (13.220.86) type, suspended from a wood frame, were used.
Members are music lovers and patrons, friends and supporters of UNCG music students, as well as alumni from our nationally recognized music programs. Through their contributions, MAG members provide much-needed discretionary resources. In recent years, MAG contributions have supported students traveling to competitions and professional conferences, the purchase of specialty instruments, enhancements to practice facilities, and upgrades for state of the art classrooms.
Bethel Woods Center for the Arts is a 501(c)3 nonprofit cultural organization that inspires, educates, and empowers individuals through the arts and humanities. I LOVE NEW YORK is a registered trademark and service mark of the New York State Department of Economic Development; used with permission.
We facilitate robust relationships between our students and the greater community to create global, service minded artist-citizens. By sharing their music education, our students provide underserved and under-resourced communities with meaningful access to and inclusion in the arts.
By 40,000 years ago, humans were creating musical instruments and two- and three-dimensional images of the world around them. By 17,000 years ago, they had developed all the major representational techniques including painting, drawing, engraving, sculpture, ceramics, and stenciling. Working on stone, ivory, antler, and occasionally clay, they created imaginative and highly complex works of art.
UNG's Bachelor of Music with a major in music and a concentration in musical arts takes a liberal arts approach to the study of music allowing for a broad exploration of the field without a strict focus on performance or music education.
In addition to music study, students will take an elective course of study outside of music which can include areas such as business, technology, psychology, and computer science. Many minors or double majors are viable to create a multi-faceted career track.The musical arts concentration is ideal for students who may want to prepare for graduate study or academic careers in a non-performance related fields such as musicology, ethnomusicology, music theory & composition, or music therapy.
This program can prepare students for a variety of professional careers in music such as composing & arranging, music production & recording, music publishing, music business, and other wide-ranging areas of the music and arts industry.
Our music programs focus on undergraduate education that allow you to have multiple opportunities to perform that they may not receive at other programs. From general, divisional, and solo recitals to solo appearances with one of the ensembles, the arts-rich environment of North Georgia provides highly supportive live audiences, cultivating a strong sense of accomplishment and motivating students to pursue high artistic goals.
At this point, you will start focusing more on upper-level music electives and liberal arts courses related to your interests. These will prepare you to design and embark upon a meaningful capstone project in your senior year. In addition, you will present your junior level public recital on your principal instrument.
At the graduate level, specialized studies lead to Master of Arts (M.A.) and Doctor of Philosophy (Ph.D.) degrees in composition; Master of Music (M.M.) and Doctor of Musical Arts (D.M.A.) degrees in all classical solo instruments, voice, and conducting; and the master of music degree in jazz performance.
The master of musical arts (M.M.A.) degree program is designed for students who seek to continue their education after earning a master of music degree. An M.M. degree in the same major is required for admission to the M.M.A. program. Those who have received a doctor of musical arts degree (D.M.A.) are ineligible for the M.M.A. program.
timbre: While most of the instruments in a baroque ensemble are familiar, there are several prominent members no longer featured in modern ensembles. The harpsichord was the primary keyboard instrument (and an important member of the continuo group), and instruments important in the 16th and 17th centuries like the lute and viol, still continued to be used. Variations in instruments still popular today also gave the baroque ensemble a different sound. String instruments like the violin, viola and cello used gut strings rather than the strings wrapped in metal with which they are strung today, for example, giving them a mellower, sweeter tone.
performance technique: A baroque score contains little (if any) information about elements like articulation, ornamentation or dynamics, and so modern ensembles need to make their own informed choices before each performance. Mechanical differences between baroque and modern instruments also suggest that the older instruments would have sounded differently, so ensembles like Music of the Baroque often adjust their technique to allow for this. Because baroque and modern bows are structurally different, for example, string players using modern bows often use a gentler attack on the string and crescendos and diminuendos on longer notes. 17th and 18th century performance treatises also imply that finger vibrato (a technique in which a string player rocks his or her fingertip on the string to enrich the tone) was used sparingly for expressive moments, while bow vibrato (an undulating movement of the bow) was generally preferred.
While forms from earlier eras continued to be used, such as the motet or particular dances, the interest in music as a form of rhetoric sparked the development of new genres, particularly in the area of vocal music. Many of the forms associated with the baroque era come directly out of this new dramatic impulse, particularly opera, the oratorio and the cantata. In the realm of instrumental music, the notion of contrast and the desire to create large-scale forms gave rise to the concerto, sonata and suite.
Oratorio: an extended musical drama with a text based on religious subject matter, intended for performance without scenery, costume or action. Oratorio originally meant prayer hall, a building located adjacent to a church that was designed as a place for religious experiences distinct from the liturgy. Although there are late sixteenth century precedents for the oratorio in the motet and madrigal repertoire, the oratorio as a distinct musical genre emerged amidst the excellent acoustics of these spaces in the early 1600s. By the middle of the 17th century, oratorios were performed in palaces and public theaters and were growing increasingly similar to operas, although the subject matter, division into two parts (rather than three acts) and absence of staged action still set it apart. Some of the composers associated with the genre in Italy include Giocomo Carissimi, Alessandro Scarlatti and Antonio Vivaldi. The oratorio grew in popularity in other parts of Europe as well. In Protestant Germany, dramatic music composed for use in the Lutheran church gradually became fused with elements of the oratorio, especially in the inclusion of non-Biblical texts. The oratorio passion, as it came to be called, culminated in the great works of J. S. Bach. Other well known examples outside of Italy include the English oratorios of George Frideric Handel, who popularized the genre in London as a result of the English distaste for Italian opera. Works such as Messiah, Israel in Egypt and Judas Maccabeus remain audience favorites to this day. 59ce067264
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